Sinopsis
“I was always fascinated by music scores and often imagined how concerts might be changed if performers were not hidden behind music on stands. In the 1960’s, I made several films that used oscilloscope imagery and, in doing so, learned to ‘play’ various synthesizers to generate images. For this film, I used colored gels while filming and chose to optically print a few visual phrases, allowing for repeated sections. I also super-imposed hi-contrast notation over the film. So, Sections became a kind of feedback piece: sound generated the images for the score and performers created new sounds and a new piece from these images.” (Richard Lerman)
Disponibilidad
Participa en el nuevo desafío comunitario de películas , únete a otros usuarios, ¡vuestros avatares peligran!
Dirigida por Richard Lerman 8min 1974
Aún no ha sido valorada por expertos en este género.
Sinopsis
“I was always fascinated by music scores and often imagined how concerts might be changed if performers were not hidden behind music on stands. In the 1960’s, I made several films that used oscilloscope imagery and, in doing so, learned to ‘play’ various synthesizers to generate images. For this film, I used colored gels while filming and chose to optically print a few visual phrases, allowing for repeated sections. I also super-imposed hi-contrast notation over the film. So, Sections became a kind of feedback piece: sound generated the images for the score and performers created new sounds and a new piece from these images.” (Richard Lerman)
Ficha técnica:
Información del reparto no disponible
- Título original: Sections for Screen, Performers and Audience
- Director: Richard Lerman
- Duración: 8 minutos
- Estado: Estrenada
- Año: 1974
- Fecha Estreno: 1974-01-01
- Género: Música Animación
- Idioma original: Inglés
- Presupuesto: s/d
- Recaudación: s/d
Curiosidades
Comparte los secretos, anecdotas o curiosidades que conozcas sobre esta película.
--
0
Críticos Prestigio
Críticas recientes


















