Rebecca Hall

¿Quién es Rebecca Hall?

Rebecca Maria Hall (born May 3, 1982) is an English actress and filmmaker. She made her first onscreen appearance at age 10 in the 1992 television adaptation of The Camomile Lawn, directed by her father, Sir Peter Hall. Her professional stage debut came in her father's 2002 production of Mrs. Warren's Profession, which earned her the Ian Charleson Award.

In 2006, following her film debut in Starter for 10, Hall got her breakthrough role in Christopher Nolan's thriller film The Prestige. In 2008, she starred as Vicky in Woody Allen's romantic comedy-drama Vicky Cristina Barcelona, for which she received a Golden Globe nomination for Best Actress. Hall then appeared in a wide array of films, including Ron Howard's historical drama Frost/Nixon (2008), Ben Affleck's crime drama The Town (2010), the horror thriller The Awakening (2011), the superhero film Iron Man 3 (2013), the science fiction film Transcendence (2014), the psychological thriller The Gift (2015), the live-action/CGI fantasy adventure film The BFG (2016), the biographical drama Professor Marston and the Wonder Women (2017) and the monster film Godzilla vs. Kong (2021). In 2016, Hall was praised by critics for her portrayal of news reporter Christine Chubbuck in the biographical drama Christine. She made her directorial debut with Passing (2021), receiving critical acclaim.

Hall has also made several notable appearances on British television. She won the British Academy Television Award for Best Supporting Actress for the 2009 Channel 4 miniseries Red Riding: 1974. In 2013, she was nominated for the British Academy Television Award for Best Actress for her performance in BBC Two's Parade's End.

Description above from the Wikipedia article Rebecca Hall, licensed under CC-BY-SA, full list of contributors on Wikipedia.
También conocida como: 레베카 홀 / Rebecca Maria Hall / 丽贝卡·豪尔 / ربکا هال /

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espinof.com hace 3 años

El cine de terror empieza a ser un medio recurrente para analizar roles de género, crear metáforas y contar historias en las que situaciones conocidas se exageran y se relatan de formas atípicas en los dramas, por lo que no es extraño que a la pesadilla de neurosis femenina de ‘ Men ’ le haya salido un complemento acaso más amargo, pero que comparte con la de Garland un final en el que lo imposible toma forma, ‘ Resurrection ’ de Andrew Semans.

La película se ha presentado en Sitges 2022, donde este …

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