Fiction FACTory Filmproduktion

Love Letters

Dalton Trumbo: Rebel in Hollywood

Return to Beethoven Street: Sam Fuller in Germany

Last of the Independents: Don Siegel and the Making of 'Charley Varrick'

Working with Max Ophuls: Robert Christidès, Set Decorator

Swan Song: The Story of Billy Wilder's Fedora

Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien

Working with Max Ophuls: Annette Wademant, Co-Writer

Ted Kotcheff's Gourmet Cinema

The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited

G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak

Sucker Punch Blues: A Look Back on John Huston's 'Fat City'

Perspectives on Othello: Joseph McBride on Orson Welles

The Making of Highlander

Beyond Melodrama: Kathryn Bigelow on Douglas Sirk

Contract Kid: William Reynolds on Douglas Sirk

Erinnerungen an 'Väter und Söhne'

Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’

Requiem for a Killer: The Making of 'Blast of Silence'

Les Mystères de Paris : "Out 1" de Jacques Rivette revisité

Fassbinder in Hollywood

A Tribute to Douglas Sirk by Allison Anders

G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak

Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'

Jack Arnold Remembers The Incredible Shrinking Man

Working with Max Ophuls: Tony Aboyantz, Assistant Director

Le Cinéma en jeu: L'Amour fou de Jacques Rivette revisité

Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

Working with Max Ophuls: Marc Frédérix, Assistant Decorator

Black and White in Color: Vilmos Zsigmond on 'Blow Out'

Budd Boetticher on the Ranown Cycle

Circles of Desire: Alan Williams on Max Ophuls' "La Ronde"

Painting with Light: Nicholas von Sternberg on Josef von Sternberg

Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'

Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand

Touching Death: Alejandro Amenábar on 'Tesis'

Working with Max Ophuls: Daniel Gélin on "La Ronde"

Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'

Working with Max Ophuls: Daniel Gélin on "Le Plaisir"

Working with François Truffaut: Nestor Almendros, Director of Photography

Life As It Is: Miloš Forman on Miloš Forman