Documentales de Hollis Frampton
Películas de Hollis Frampton filtradas por género
0
2006
A recording of a meeting in the studio where Jeffrey Schier and Woody show colleagues and teachers a new tool. Between 1976 and 1980, Woody and Schier designed a prototype device, the Vasulka Ima ...
🎭 Self
7.9
2000
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological ...
🎭 Self
8
1986
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas. ...
0
1985
Home movies shot on Super 8mm by W+B Hein over 10 years. ...
🎭 Max A. Zorn
8
1978
Grand Opera marks a stock-taking of Benning's work and his life, presenting a personal and artistic autobiography woven together with a series of events dealing with the historical development of ...
🎭 Director
0
1976
"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In the ...
🎭 Director
0
1975
An analysis of film’s persistent relationship to sexuality, mediated by allusions to early cinema’s flicker, and other aggressive qualities of the cinematic apparatus. ...
🎭 Director
7
1974
A sampling of forty-nine fragments from Frampton's catalogue of 'actualities', the films from STRAITS OF MAGELLAN: "DRAFTS AND FRAGMENTS" are all silent and unedited. Several invoke, directly, th ...
🎭 Director
🎭 Director
0
1972
"After two years of massive didacticism in black-and-white [Hapax Legomena (1971-72)], I am surprised by Tiger Balm, lyrical, in color, a celebration of generative humors and principles, in homag ...
🎭 Director
6
1970
Zorns Lemma is a 1970 American structuralist film by Hollis Frampton. It is named after Zorn's lemma (also known as the Kuratowski–Zorn lemma), a proposition of set theory formulated by mathema ...
🎭 Director
7
1966
Frampton on Information: "Hypothetical 'first film' for a synthetic tradition constructed from scratch on reasonable principles, given: 1) camera; 2) rawstock; 3) a single bare lightbulb. I admit ...